What's in the broadcasting pitch deck set
AngelMatch's pitch deck database currently holds 5 broadcasting pitch decks, a small slice of the 2,000+ decks in the full database. The set is thin, so treat it as a starting point rather than an exhaustive survey of the category, and check back as more decks get tagged over time. Disclosed raises in this set run from 2013 to 2020, split between pre-seed and seed rounds, and most of the companies also carry a media and entertainment tag alongside broadcasting, which is worth knowing if you are trying to find comparable decks beyond this page. Two of the five decks also have undisclosed or unlisted funding figures, which is common for older broadcasting raises from before founders started routinely sharing check sizes in public databases.
Three decks are worth studying first if you are building a broadcasting deck of your own.
Blue Wire raised a $1.2M pre-seed round in 2020. It is the largest disclosed raise in this set, and the deck is worth reading because the traction case comes from distribution, a network of 120 podcasts hosting athletes, influencers, and professional sports franchises, rather than a single breakout show. See the Blue Wire pitch deck.
Blue Studios raised $150K at pre-seed in 2019 for a live-stream and on-demand platform that runs STEM classes for kids. The deck leans on a clear comparable, positioning itself as a Peloton-style business, which hands investors a monetization model they already understand before slide two. See the Blue Studios pitch deck.
Roho raised $125K at seed in 2016 for an indexed and curated religious content platform. It shows that a narrowly defined, underserved audience can raise seed money well ahead of any niche media trend, and it is a useful reference if your broadcasting company serves a specific community rather than a mass audience. See the Roho pitch deck.
The remaining two decks in the set round out the picture. SetScouter helps film productions find unique locations, and ViewMarket is a video content network formerly known as The Haul Company. Both illustrate how broad the broadcasting tag can get, covering anything from production tools to consumer video platforms, so use the tag as a starting filter rather than a precise category match. Once you are ready to raise, hosting your own deck the way these companies do makes it easier to track when investors open it. See pitch deck hosting.
What investors look for in a broadcasting pitch deck
Broadcasting spans audience-facing platforms and the production infrastructure behind them, so what investors want to see depends on which side of that line your company sits on. Four patterns show up across the decks in this set, and they hold whether you are building a podcast network or a tool that production crews use behind the scenes.
Distribution and reach come before content quality. Blue Wire's $1.2M pre-seed round in 2020 was built on a distribution number, 120 podcasts and a named creator roster, not a claim about production value. Broadcasting investors weigh reach and rights relationships before they weigh how polished the content looks.
A monetization comparable substitutes for revenue you do not have yet. Blue Studios raised $150K at pre-seed in 2019 by positioning itself as a Peloton-style subscription business for kids' STEM content, which gave investors an instant model to evaluate instead of a monetization story built from scratch.
A defined, underserved audience beats a broad one. Roho raised $125K at seed in 2016 on the strength of a specific, underserved audience for religious content rather than a mass-market content pitch. Name who existing platforms are failing, not just what you are building.
Solving a production-side problem can raise money even without a disclosed check size. SetScouter raised an undisclosed pre-seed round in 2013 by targeting the infrastructure side of broadcasting and film rather than the audience-facing side. If your product serves production teams instead of viewers, lead with the workflow problem you remove.
How to structure a broadcasting pitch deck
A broadcasting deck follows the same ten sections as any seed-stage deck: introduction, problem, solution, product, distribution and audience, monetization, competition, team, financials, and the ask. Ten to fifteen slides is the right range at pre-seed or seed, and every deck in this set that discloses a round raised well within that band. Two sections carry more weight for this industry than for most.
Distribution and audience deserves its own slide, not a line inside the product section. Show where your content lives, how people find it, and any concrete reach numbers you have, downloads, watch time, subscriber counts, rather than folding that into a general traction slide. Monetization should name a comparable business model if you do not yet have revenue to show, the way Blue Studios pointed to a subscription platform investors already understood. If you want a starting layout, AngelMatch's fundraising templates cover all ten sections in a format you can adapt to broadcasting.
Find broadcasting investors next
With only 5 decks currently tagged to broadcasting, this is one of the smaller filters in the pitch deck database, and the disclosed raises here run from Roho's $125K seed round to Blue Wire's $1.2M pre-seed. That makes the next step matter more than usual: finding investors who already back this kind of company rather than cold-emailing generalists. AngelMatch's investor database includes 28,000+ investors tagged to media and entertainment, filterable by location, stage, and check size, and it is the closest match while broadcasting builds out its own dedicated investor list on AngelMatch. Start with the media and entertainment investors list.
Media and entertainment pitch decks
